scimbl

I'm interested in structure, built and latent, and in what lies between being and becoming. Mostly I think about experiential monumentalism: rooms, books and films that feel far larger than they are.

Projects

A red kettle on the tatami beside sliding paper screens, from Yasujirō Ozu's Equinox Flower.
Equinox Flower, Yasujirō Ozu, 1958